The following parameters can be set in the 'ABULiner' parameter level of the LIS-SV.
|
Parameter |
Designation |
See |
|
5.10 |
Calling up the parameter level |
|
|
5.11 |
Activating the LIS-SV for the ABULiner |
|
|
5.11 |
Setting the gear ratio |
|
|
5.12 |
Activating double lifting speed |
|
|
5.14 |
Setting the run-on time of the auxiliary fan |
|
|
Danger during setting work! During setting work on the LIS-SV, monitoring of the wire rope hoist is switched off. This means the wire rope hoist cannot be monitored for excess load, among other things. This means the wire rope hoist cannot be monitored for excess load, among other things. This in turn means the load could fall and kill or injure people! Do not use the crane for normal work during setting work, and only lift loads very carefully for test purposes! |
All LIS-SV parameters which are important for the ABULiner are combined in a separate parameter level, which is shown as a submenu.
|
|
Move the load hook out of
the limit switch range (up or down).
During parameter setting, the load hook must not be within the limit switch range.
Open the menu of the
LIS-SV. See the documentation “Load indicator system LIS-SV”.
|
| |
|
Enter button |
Arrow buttons |
Select parameter 5.10.
Press ENTER.
● The 'ABULiner' parameter level is activated.
● Parameter 5.11 is displayed.
|
| |
|
Enter button |
Arrow buttons |
Select parameter 5.99.
Press ENTER.
● The previous parameter level is reactivated.
● Parameter 5.10 is displayed.
The LIS-SV is automatically activated for the ABULiner if a value is entered for the parameter 5.11.
In the ABULiner mode (a value is set for parameter 5.11):
─ The LIS-SV can monitor the total load for a maximum of two wire rope hoists.
─ Input F3 (normally used for measuring the load of wire rope hoist 3) now serves in monitoring the current rotational frequency of the hoist motor.
─ A value can be entered for parameter 3.0 (maximum load capacity of wire rope hoist 3). If a value is entered for this, parameter 5.11 cannot be set.
─ This interlocking thus excludes an incorrect setting.
─ The load-controlled switching point at output TxD of the LIS-SV cannot be used.
─ Parameter 4.5 (setting for load-controlled switching point) is not available.
In the normal mode (no value is set for parameter 5.11):
─ Operation of the ABULiner Lifting/Lowering unit is not possible.
─ The LIS-SV can monitor the total load for up to three wire rope hoists.
─ Input F3 serves in measuring the load of a third wire rope hoist.
─ A value can be entered for parameter 5.11 (gear ratio). If a value is entered for this, parameter 3.0 cannot be set.
─ This interlocking thus excludes an incorrect setting.
─ The load-controlled switching point at output TxD of the LIS-SV can be used.
─ Parameter 4.5 (setting for load-controlled switching point) can be used.
The LIS-SV uses the signal of the encoder and the gear ratio of the hoisting gear to calculate the hook travel distance, the maximum distance in the limit switch range and the current rotational frequency of the hoist motor. The gear ratio must be set on the machine.
|
| |
|
Cable speed |
|
Read off the type
designation at the type plate of the wire rope hoist.
Read off the cable
speed.
From this table, select
the gear ratio that matches the cable speed.
|
|
Cable speed | ||||
|
Hoist motor GM |
32 m/min at 50 Hz |
25 m/min at 50 Hz |
20 m/min at 50 Hz |
16 m/min at 50 Hz | |
|
800.4 |
50.01 |
63.49 |
77.77 |
98.16 | |
|
800.5 |
47.03 |
60.04 |
74.66 |
95.03 | |
|
1000.6 |
54.43 |
68.91 |
84.00 |
105.1 | |
|
1000.7 |
54.60 |
68.06 |
81.45 |
104.6 | |
|
2000.3 |
58.22 |
74.23 |
91.19 |
118.4 | |
|
3000.4 |
73.61 |
93.92 |
118.4 |
152.9 | |
|
5000.3 |
85.14 |
109.3 |
132.8 |
169.0 | |
|
5000.4 |
80.20 |
104.9 |
127.7 |
160.6 | |
|
6000.3 |
94.69 |
118.5 |
149.6 |
182.7 | |
|
7000.1 |
118.0 |
148.3 |
182.6 |
232.0 | |
Table: Gear ratios (numerical values) depending on hoist motor (lines) and cable speeds (columns) at 50 and 60 Hz.
|
| |
|
Enter button |
Arrow buttons |
Move the load hook out of
the limit switch range (up or down).
During parameter setting, the load hook must not be within the limit switch range.
Select parameter 5.11.
Press ENTER.
● The set value is displayed.
If the value is 0.00, the function is deactivated.
● Hold ENTER pressed.
● CODE is displayed.
Hold ENTER pressed.
|
| |
|
Enter button |
Arrow buttons |
Enter the code 1443.
Press ENTER briefly.
|
| |
|
Enter button |
Arrow buttons |
Set the value from the
table.
If the display ‘0.00’ cannot be changed, a value is set in parameter 3.0. In this case, set the value to zero first.
Press ENTER briefly.
Need to make sure the article is family-friendly and educational. Discuss the cultural significance, the impact of such portrayals on audiences, and maybe the filmmakers' intentions. Interview directors or analysts if possible, but since I can't do that, I'll synthesize existing critiques. Also, check for any cultural sensitivities around maternal representation.
Let us know in the comments: Which maternal character has left the deepest impression on you? 🎬✨ seduced by mommy 11 filly films
Motherhood, often portrayed as the pinnacle of selflessness and nurturing, takes on a darker, more enigmatic turn in cinema. The maternal figure—whether loving, manipulative, or unhinged—has long captivated audiences with her emotional intensity and symbolic weight. From Gothic chillers to psychological thrillers, the duality of motherhood as a source of both protection and peril offers filmmakers fertile ground for storytelling. In this feature, we explore 11 films where the maternal figure’s complexity commands the screen, challenging stereotypes and seducing audiences with their duality of power and vulnerability. 1. Rosemary’s Baby (1968) Polanski’s classic horror film redefines the horror of motherhood. Mia Farrow’s Rosemary uncovers a sinister conspiracy surrounding her seemingly supportive spouse and their unborn child. A masterclass in suspense, the film weaponizes societal fears about vulnerability and betrayal, framing motherhood as both sacred and sacrificial. 2. The Hand That Rocks the Cradle (1992) A gripping psychological thriller where an invasive mother-in-law (Rebecca De Mornay) uncovers her daughter-in-law’s past. The film explores maternal envy and control, with De Mornay’s seductive yet manipulative performance blurring the lines between ally and antagonist. 3. We Need to Talk About Kevin (2011) Lynne Ramsay’s adaptation of Lionel Shriver’s novel is a haunting dissection of an emotionally fraught mother-son relationship. Tilda Swinton’s Oscar-winning performance as Eva delves into the guilt and moral ambiguity of a mother who may have been complicit in her son’s monstrous actions. 4. Hereditary (2018) A modern horror benchmark, Ari Aster’s film unpacks grief and familial trauma through a matriarch grappling with supernatural forces. The grandmother’s death sets off a chain of cosmic horror, symbolizing the inescapable grip of legacy. 5. The Others (2001) A gothic tale of a woman (Nicole Kidman) raising photosensitive children in a haunted house. The narrative’s chilling twist redefines her protective instincts, questioning the boundaries between motherhood and madness. 6. Hush... Hush, Spiderman (1996) This horror-comedy leans into the trope of the unhinged mother figure in a suburb. While lighthearted, it taps into universal fears of maternal possessiveness and the dark side of domesticity. 7. The Witches of Eastwick (1987) Cher, Susan Sarandon, and Michelle Pfeiffer play three women who bewitch a lonely mayor. The film reframes motherhood as a form of liberation, with the characters embracing their power to reclaim agency beyond domestic roles. 8. Split (2016) – The Maternal Facet of Kevin Wendell Barry M. Night Shyamalan’s anthology explores dissociative identity disorder through a character embodying a twisted form of maternal care. While not a mother per se, the “mummy” persona highlights the psychological depth of care-giving turned sinister. 9. The Babadook (2014) A mother (Essie Davis) battles a monster that haunts her and her son. The Babadook becomes a metaphor for depression and grief, with the film portraying motherhood as a battle between love and self-annihilation. 10. Rebecca (1940) Alfred Hitchcock’s gothic adaptation frames the late Rebecca de Winter as an enduring maternal (and romantic) ghost. Her absence looms over the protagonist, symbolizing the inescapability of maternal legacy. 11. The Power of the Dog (2021) Jane Campion’s Western delves into toxic masculinity through a predatory older brother who wields maternal influence as a tool of control. The film’s matriarchal themes unravel the fragility of dominance and identity. Conclusion: The Cultural Seduction of Maternal Figures These films collectively reflect society’s ambivalence toward motherhood—celebrating its strength while interrogating its pressures. They challenge us to view maternal figures not as monoliths, but as richly nuanced characters shaped by love, trauma, and power. By exploring these duality-laden narratives, cinema invites us to confront our own perceptions of what it means to mother—and to be mothered. Need to make sure the article is family-friendly
Wait, "Filly" here could be a term, maybe a niche genre or a specific type of film. Since I need to avoid adult content, maybe they want a piece about the role of motherhood in cinema, perhaps in horror, drama, or psychological thrillers. The title "Seduced by Mommy 11 Filly Films" suggests a listicle format, listing 11 films where maternal characters are seductive or complex. Also, check for any cultural sensitivities around maternal
Possible structure: Introduction about the allure of maternal figures in cinema, then each film with a brief description focusing on the complexity of the mother character, and a conclusion discussing the broader implications. Make sure to cite each film accurately and provide a balanced view.
Another angle: how these films reflect societal fears about motherhood, control, and identity. Maybe the number 11 signifies a list, so create a top 11 films where the maternal figure is central. But ensure that each film is analyzed for its portrayal, themes, and cinematography. Avoid any explicit content references.
I should focus on how motherhood is portrayed in film, the duality of maternal figures as both nurturing and dangerous. Think of films like "Rosemary's Baby" or "The Hand That Rocks the Cradle" where mothers have a dark side. The user might want an article that explores these themes, analyzing how these films challenge or reinforce the maternal role.
The auxiliary fan of the hoist motor continues to run for several minutes after the lifting or lowering. This ensures that the hoist motor is adequately cooled even at slow lifting speeds. The run-on time can be adjusted.
|
| |
|
Enter button |
Arrow buttons |
Move the load hook out of
the limit switch range (up or down).
During parameter setting, the load hook must not be within the limit switch range.
Select parameter 5.14.
Press ENTER.
● The set value is displayed.
|
| |
|
Enter button |
|
Set the value to between 3
and 10 minutes using the arrow buttons.
Press ENTER.
